Getting Short Stories Published with Alice Slater
Publishing! It’s not as scary as you think! Getting your short stories out into the big wide world is not the big white whale you…
Editing Short Stories with Alice Slater
From adding layers of rich detail to trimming the fat, walk through how to go from a messy idea to a meticulously crafted short story.
Writing Parallel Lives: Untravelled Roads with Sage Tyrtle
What if, on another path, you made a different choice? There are powerful storytelling possibilities that exist in the space between chance and choice. Explore the compelling concept of parallel lives, roads not taken, and how we craft narratives that ask “what if?”.
Soilpunk and Queer Ecologies in Short Stories with Sarah Royston and Tractor Beam
Genre-smashing, inspired by scientific innovations, and subversive to the core, what if our brightest hope wasn’t in the stars but in the earth beneath our feet? A playful, trope-busting approach to sci fi, dystopian/utopian fiction and eco-writing.
Fiction as Archaeology with Lindz McLeod
Break fiction down into different levels of a ‘literary dig site’. Create and build a new piece of intentionally layered fiction which future readers can excavate for clues.
How Voice Works In Short Fiction with Abi Hynes
Get excited about making your dialogue shine. A generative hour long workshop exploring how to make your fictional dialogue *great*
Writing the Uncomfortable, or How to Fuck Up Your Characters with Tabitha Bast
Bring your characters to life by breathing humanity into the horrible ones and smearing the sympathetic ones. Explore the world outside your comfort zone by writing the low down, the dirty, and the nasty.
The Writers’ HQ (Literary) Submission Orgy
It’s all very well pushing the button on your own in a darkened room, but it’s much more fun with friends…
Curating A Short Story Collection with Kathy Hoyle
All the tools you need to curate your own short story collection – from concept to completion.
Reading as a Writer with Alison Woodhouse
What happens to our writing when we slow down our reading and think critically about the stories in front of us?