PLOTSTORMERS II: THE EDITING STRIKES BACK

DECONSTRUCT, RECONSTRUCT. TURN YOUR MANUSCRIPT INTO SOMETHING BEAUTIFUL

⭐️⭐️⭐️⭐️⭐️ (see reviews)

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After having problems with my own novel, this course has allowed me to believe in my writing again. Top marks all round
- Della Griffiths

£90. Six months access.

Part of the WHQ membership

Six week course. Rolling access with membership, or one-off fee for six months single course access.

Join our kickass community

COURSE HOME

You know what makes great writing? Really great editing. The Writers’ HQ online creative editing course will give you tools and techniques to take you step-by-step through deconstructing your work and rebuilding it, taking it from ‘hmm this is okay’ and elevating it to ‘aah this is amazing!’

We get it. You’d rather cut your own hand off than get down to editing your work. But you have to do it because otherwise what was the point of slogging it out through the first draft?

Whether you’re contemplating a new project or at the end of a 150,000 word manuscript, you need to know how to venture into the magical world of redrafting and editing. Guess what? We can help! Spend six weeks learning how to transform a rough, vulnerable, wibbly-shaped writing project into a majestic beast of a finished manuscript.

Our approach to editing isn’t just about correcting typos and tweaking sentence structure (though we do cover the proofreading process too) – this is an elbows-deep practical method of deconstruction and reconstruction to help you develop your story’s structure, narrative and characterisation right down to its fundamentals.

When it comes to writing, one size does NOT fit all, so we’ll give you a tonne of editing options and techniques to suit your particular story. You’ll have the opportunity to discuss and brainstorm your plot with your tutors and a small group of writers throughout the course, so you won’t be going it alone. And by the end of the six weeks you’ll emerge triumphant with a solid, detailed outline plan for the redrafting process and all the resources you need to get your manuscript to the submission stage.

NOTE: You DON’T need to have done Plotstormers 1 to take this course, but you DO need a zero or first (or sixth) draft.

CURRICULUM

WEEK 1: WHAT’S YOUR STORY?
Dig deep to find out what your story is really about, pull out all the subplots, check in with your conflict and learn how to pitch your story to eager ears

WEEK 2: WHO DAT? WHAT THEY DOIN’?
Character development, growth, arcs and the ultimate transformation

WEEK 3: BREAK IT DOWN, BABY
Time to pull your story apart, bit by bit, and start putting it back together again – better, stronger, awesome-er

WEEK 4: BACK TO BASICS
Reconstruct your stories from all the tiny little bits you’ve now got floating around

WEEK 5: NEW FRICKIN’ DRAFT!
Fill in your plot holes, find your voice, plan your work and get ready to redraft that bad boy

WEEK 6: EDIT LIKE A BAWSSSSS
Editing techniques, scene by scene editing, chapter editing, editing editing editing

HOW IT WORKS

1. Enrol
Once you’ve joined you’ll get an email confirming your place and explaining how you access the course. Spoiler: you click a link. Super simple.

2. Read, watch, do
The lessons are a mix of text, images, videos and exercises. To get the most out of the course, try to give yourself at least an hour a day to read or watch the material and do the exercises. We’ve made them as bite-size as possible but also if you wanna do the thing you gotta do the work.

3. No rush
This course is written to be done over six weeks but if you miss a day or something comes up, don’t panic! Go at your own pace. We’ll be waiting for you in the community forums when you’re ready to catch up.

4. No money? No problem
Membership is the cheapest way to access this course, alternatively, if you can’t wait and have no cash, have a look at our bursary scheme.

5. Milk no sugar
Drink plenty of tea, stock up on biscuits, gin for later. Enjoy it. It’s supposed to be fun. Love you. Mwa.

WHAT YOU GET
  • Daily online classes and exercises to lead you, step-by-step, towards a comprehensive chapter-by-chapter, scene-by-scene outline of your story, ready and waiting to be first drafted.
  • Lessons from brilliant authors who are at the top of their game, including Costa Award winner Emma Healey, Polari Prize winner Paul McVeigh, and Bridport Prize winner Vanessa Gebbie.
  • Lessons on story structure and how to make your story fit or break the rules.
  • To finally get going with your next draft and peer off into the distance to see the finishing line.
  • Access to our private forum to discuss ideas and techniques, and get advice from fellow writers and WHQers.

Learn how to deconstruct your story, edit the ever-loving crap out it and put it back together again in a better, shinier, more awesome way.

Emerge triumphant with a detailed, watertight plan for redrafting your story. Plus, a tonne of tools, tricks, tips and techniques for editing to suit whatever kinda writer you happen to be.

Join our lovely little online community to support you through plotstorming, editing, and beyond, plus peer feedback

LOVE FOR WRITERS’ HQ

Now I am a Plotstormer ⭐️⭐️⭐️⭐️⭐️
I love this course. So much great actionable advice on how to plot a novel, starting from 50,000 feet up and getting closer and closer until you’re at ground level….I was struggling with a novel I’ve been wanting to write for years now – have charged into NaNoWriMo every November for the last four years, hoping to get ‘er done, and with the exception of one year (in which I got 50,000 words of…backstory!), I’ve stumbled out of the gate and never hit the final target for the month. This year I’m more hopeful – because I have a much better idea of where I’m going with the story. This was something I hadn’t taken the time to think about in advance. Now I have, and I realize that was the missing piece – now I know what I want to do, I know things may change along the way, but I also know I have my Magical 16-Point Plot Planner lurking in the background of my files, waiting to rescue me – or to be adapted to fit the story as things morph and change. And it’s been great hanging out with other writers who are working out their plots as well – seeing the process and how it’s working for other people – getting to contribute to their work and getting their wonderful suggestions and help for my own. All hail Plotstormers! I’ll be using what I’ve learned over and over and over….

 

Mary Taslimi

Plotstormers

I am converted ⭐️⭐️⭐️⭐️⭐️
Before the course, I was a solid pantser, but now I have truly seen the light. The way Sarah & Jo take you step-by-step through each stage, they make it impossible not to understand the theory of story structure and help you to put it into practice. So, after 6 short weeks (ARE THEY REALLY OVER?!), I can scarcely believe it, but I have a well-structured plan, with all the sub-plots in place, and I know what I want to happen and when. I just need to write the darned thing, now. If only they had a course for that… oh, wait a minute…

Lorna

Plotstormers

I started with a beginning and an end then changed the end, twice, got the middle and finally understood what plotting is all about and what a story arc truly is. Now I see holes and have an idea of how to fill them. Great attitude to teaching from WHQ crew.

Amanda

Plotstormers

Everything you need it to be. And more. ⭐️⭐️⭐️⭐️⭐️

If you think you’ve done editing courses before, so you don’t need to do another one, then you’re completely and utterly wrong. This course takes your book by the short and curlies and makes it scream for it’s mamma. Because this course isn’t your average ‘let’s look at some of your prose & pretty it up’ kinda course, it’s a RIP IT TO PIECES & GIVE IT A FULL BODY SEARCH kinda course. Sound brutal? It is. Your brains will ooze out of your ears. But you won’t regret it. Not one bit. Trust me. By the time you’re done, you will know exactly what you need to do to your book to get it to tell the story you want it to tell. What more can you ask?

Lorna

Plotstormers II: The Editing Strikes Back

TUTORS

Sarah Lewis
Half of Writers’ HQ
Procrastinator Level: Set up WHQ and had a baby to avoid writing her novel

Jo Gatford
Half of Writers’ HQ
Procrastinator Level: Set up WHQ and did an MA to avoid writing her novel

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