⭐️⭐️⭐️⭐️⭐️ (see reviews)


This has been an amazing experience and I am so glad I took this up as well as the full membership. It is just what I’ve been looking for. I have learned a lot about myself, but also about things I didn’t know I knew and I think its made my writing better.

- Janice T

£50. Six months access.

Part of the WHQ membership or £50 stand-alone

Four week course, rolling access

Join our kickass community

Ahhh ‘write what you know’ – that old hackneyed chestnut, right? For most of us, ‘what we know’ is actually pretty dull and boring, but that’s not the point. The point is, we’re all frickin’ human. We all feel things (ugh, feelings). We all know stuff that other people don’t know. We’ve all experienced the world, with all its ups and downs and sideways strangeness. And the secret to good writing is translating all that innate human-y knowledge into honest, realistic fiction.

No matter how much or little writing experience you have, no matter how low your writing confidence is (we’re talking to you, imposter syndromers), no matter what you want to write about or how little you think you know, we’re here to PROVE that you have a wealth of writing knowledge just ready to be unleashed on the world.

After all, you are a human person thing, and you have all these emotions and life experiences and feelings and thoughts and you have seen things, man. You know things. You have lived.

Which means: you can write.

Over the course of four weeks we’re going to show you how to harness the power of your innate human-y knowledge; how to draw from what you DO know and translate that into fantastical, imaginative, moving, amazing fiction. 

We know that sometimes writing into the unknown can be terrifying. How do you put yourself into the shoes of someone other than yourself? How do you visualise and accurately depict a place you’ve never been? How do you write about something you’ve never done and make it feel REAL?

You start with what you know. 

You use the experiences you already have on tap and adapt them, tweak ’em, manipulate and amplify them until they serve your purposes. You show your writing chops and turn what you know into what you don’t know in a believable, honest, and realistic way. 

Sounds easy/difficult/terrifying, huh? Yep. All of those. 

But we’re gonna do it anyway. 

So join us for a month full of pep, exercises, prompts and guidance on harvesting all the amazing things you know into your writing.

Learn how to craft teeny little truth bombs to scatter into your fiction and make it feel as realistic as possible

Suitable for any kind of writing: novels, short fiction, poetry, screenwriting, whatever floats your boat

Join our lovely little online community to support you through starting, middling, finishing and beyond.


Writers’ HQ are absolute legends ⭐️⭐️⭐️⭐️⭐️
They have taken me from someone who writes and created a writer. They also making a cracking cuppa. The retreats are an oasis of writing calm and an inspirational treat. Meeting fellow writers is always a treat. The online courses are not only draw out the writer you know is inside but are incredibly fun to boot.

Vicki Sarteur



It’s my editing blueprint for good, for now, forever! I could write a song about this course .. but instead I’ll sing your praises and say how you’ve taken the huge job of drafting a novel and made it simple .. well, simpler, because you have the knack of getting right to the heart of what a novel is, what it’s for, how it works as an entity, who inhabits it. About midway through the course I had a personal business crash that required my total attention to fix, and it’s a shame because I was enjoying the forum and taking part in it. BUT I was safe in the knowledge that if I could get back to reality and my life quick enough, I could continue and I have – and completed! I have a deadline to fulfil with my writing group and if I can manage it, I will return to the Forum too before the course ends in a few days. I will undoubtedly be returning for the course on Submission to an Agent but I’m nowhere near ready. Can I just say how helpful it was knowing the course materials would continue to be up on the site as I’ve desperately needed this time. My only crit would be, and I mean it in a positive way, is that I felt the whole course could have been double the length anyway – as in 3 months, and then another 6 weeks for the materials to be up on the site. Many exercises of ’60 mins’ or ’45 mins’ took days or a whole week! By the way, more expensive courses I’ve taken (e.g. for thousands!) were NOTHING compared to this!! Bless you, and though I wish you EVERY SUCCESS with your own writing, I hope you DON’T STOP DOING THIS!!! A THOUSAND THANKS.

Nicolle Freni

Plotstormers II: The Editing Strikes Back

I started with a beginning and an end then changed the end, twice, got the middle and finally understood what plotting is all about and what a story arc truly is. Now I see holes and have an idea of how to fill them. Great attitude to teaching from WHQ crew.



Highly Recommended ⭐️⭐️⭐️⭐️⭐️
I came to this course with the complete first draft of a novel I had already written, but which (after a year of failing to rewrite it on my own) I knew needed more than just a bit of editing to make it work. Plotstormers has been a great way of completely deconstructing what I had to begin with, and then building it up again from scratch into first four, then seven, then sixteen units. The early weeks give you a brilliant introduction to various theories of plotting, soundbites from successful authors, and links to useful blogs and resources; this part is huge fun, and the video of Kurt Vonnegut explaining the shapes of stories is absolutely priceless. When it came to the actual writing bit, Sarah and Jo provided excellent support, encouragement and incisive feedback throughout (though be warned: the swearing is contagious. You’ll know you have a problem when your 2 yr old starts effing at random people in shops). In the latter weeks of the course the forums (fora?) became indispensible for sounding out ideas and identifying problems as well as helpful cameraderie. I lagged behind towards the end, but nevertheless this course has given me the boost I needed to get my novel back off the ground, or at least back onto the runway. I highly recommend it, and look forward to taking more Writers HQ courses in the near future.

Rosemary Sgroi



Jo Gatford
Half of Writers’ HQ
Procrastinator Level: Set up WHQ and did an MA to avoid writing her novel


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