Writing In The Time Of Climate Change

An online course for writers exploring the environmental crisis

⭐️⭐️⭐️⭐️⭐️ (see reviews)

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It was so lovely to be able to be somewhere where everyone was on the same wavelength - about writing, about climate change, about so many other little things that feed into both. It felt like I was able to speak freely and without fear of judgement, because we’d all chosen to be together talking about this, and that was wonderful.
- Isobel

Part of the Writers’ HQ membership

Unique creative writing course exploring climate change and fiction

Join our kickass community

Humanity is defined by the stories we tell ourselves. But our stories are failing and the world is suffering.

It’s time to tell a new story.

A course for writers who want to explore climate change and the environmental crisis in their work.

So. Climate change, eh?

Looks like we’ve gone from ‘oh we should do something about this’ to ‘holy crap we’re in deep doodoo’ pretty quickly.

But where is the overwhelming body of art and literature that this crisis should be inspiring?

We’re not talking dystopia here.

We’re talking the stories about how we live now.

Stories about the fear and grief and rage.

Stories of hope and hopelessness.

Stories about living and surviving during the slow apocalypse of climate change, the collapse of capitalism, the implosion of democracy.

The creative response to climate change has always been troubled; at first slow to appear and then struggling to have meaningful impact.

It is easy to feel despondent; it’s also easy to forget that we have always been defined by the stories we tell ourselves.

The climate crisis demands from us nothing less than a new way of telling stories and a new way of listening.

Without an adequate cultural response we will struggle with a meaningful social and political response, and in this respect the role of artists and writers is clear.

Based our sell-out, transformational, Earth-shattering climate writers retreat in 2019, this course plays host to writers at all stages who are keen to engage in climate change but find their work is somehow paralysed.

During this course we will discuss the problems of narrativising climate change and focus on what each writer needs from themselves and their community to be able to bring their stories forward into the world.

(Writers’ HQ declared a climate emergency half way through 2019. Full details can be found here.)

Discuss the problems of narrativising climate change and focus on what each writer needs from themselves and their community to be able to bring their stories forward into the world.

Explore grief and fear, hope and hopelessness in a safe and nurturing environment.

Join our lovely little online community to support you through your writing and beyond, plus peer feedback and gifs.

LOVE FOR WRITERS’ HQ

Highly Recommended ⭐️⭐️⭐️⭐️⭐️
I came to this course with the complete first draft of a novel I had already written, but which (after a year of failing to rewrite it on my own) I knew needed more than just a bit of editing to make it work. Plotstormers has been a great way of completely deconstructing what I had to begin with, and then building it up again from scratch into first four, then seven, then sixteen units. The early weeks give you a brilliant introduction to various theories of plotting, soundbites from successful authors, and links to useful blogs and resources; this part is huge fun, and the video of Kurt Vonnegut explaining the shapes of stories is absolutely priceless. When it came to the actual writing bit, Sarah and Jo provided excellent support, encouragement and incisive feedback throughout (though be warned: the swearing is contagious. You’ll know you have a problem when your 2 yr old starts effing at random people in shops). In the latter weeks of the course the forums (fora?) became indispensible for sounding out ideas and identifying problems as well as helpful cameraderie. I lagged behind towards the end, but nevertheless this course has given me the boost I needed to get my novel back off the ground, or at least back onto the runway. I highly recommend it, and look forward to taking more Writers HQ courses in the near future.

Rosemary Sgroi

Plotstormers

Wow! ⭐️⭐️⭐️⭐️⭐️

Being on draft 9 for the book I wanted to edit AGAIN, I wasn’t sure how this course was going to make me see things differently. But wow, it really did. Breaking a novel down into its mathematical building blocks (and let’s face it, i do have geek tendencies, so if there is a formula, I’m happy) was a unique way to go about editing. Pulling apart first rather than building. Once all those little itty bitty blocks became their own entities, it was so much easier to see where the gape were in my novel and what needed fixing. I will definitely be using this method for all of my other novels and going back over them with this same approach. Sharing with other writers at the same stage, both offering and receiving support gives companionship in a lonely career/hobby etc. So glad that I have now met more writers and hope we can continue to engage. A great way to learn. Also – the humour of Jo (and Sarah) really make the learning curves a little less painful and I can’t count the number of times I’ve have quite literally laughed out loud. Am contemplating coming back for more as wondering what the initial plotting course is all about. Husband….?

Marisa

Plotstormers II: The Editing Strikes Back

More ideas than you can shake an inspiration stick at ⭐️⭐️⭐️⭐️⭐️

Fab exercises for toning up your idea muscles. A fun, inspiring week.

Jennifer

Seven Ideas In Seven Days

When there’s something weird (in your story idea) and it don’t look good…Who ya’ gonna call? PLOTSTORMERS! ⭐️⭐️⭐️⭐️⭐️
Superb materials, featuring advice, ideas, exercises and tips from both Sarah and Jo, as well as a plethora of published authors, all contribute to making Plotstormers the course to take if you just don’t know how the hell your hero is going to find their mentor, or which character should die next, or who should kiss who and when (bleeeurgh!) – whatever kind of novel you’re wanting to write, whatever style you’ve had previously, the course will help to amplify, hone and refine your ideas into a coherent and detailed road map, directing you through the asteroid belt of your story! These guys rock, I had a blast and would recommend with reservation.

Stuart White

Plotstormers

TUTORS

Sarah Lewis
Half of Writers’ HQ
Procrastinator Level: Set up WHQ and had a baby to avoid writing her novel

Jo Gatford
Half of Writers’ HQ
Procrastinator Level: Set up WHQ and did an MA to avoid writing her novel

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